{"id":46,"date":"2002-01-27T10:28:04","date_gmt":"2002-01-27T15:28:04","guid":{"rendered":"https:\/\/www.goer.org\/wordpress\/leonards_rules_for_writing"},"modified":"2002-01-27T10:28:04","modified_gmt":"2002-01-27T15:28:04","slug":"leonards_rules_for_writing","status":"publish","type":"post","link":"https:\/\/www.goer.org\/Journal\/2002\/01\/leonards_rules_for_writing.html","title":{"rendered":"Leonard&#8217;s Rules for Writing"},"content":{"rendered":"<p>\n<a href=\"http:\/\/www.nytimes.com\/2001\/07\/16\/books\/16LEON.html\" title=\"mystery writer\">Elmore<br \/>\nLeonard&#8217;s rules for writing<\/a>:\n<\/p>\n<ol>\n<li>\n<p>\n<B>Never open a book with weather.<\/B>\n<\/p>\n<p>\nSure.  Nobody wants to be <a href=\"http:\/\/www.bulwer-lytton.com\/\" title=\"It was a dark and stormy night...\">Edward Bulwer-Lytton<\/a>, after all.\n<\/p>\n<\/li>\n<li>\n<p>\n<B>Avoid prologues.<\/B>\n<\/p>\n<p>\nThis is a pet peeve of mine, particularly when I read thick<br \/>\n fantasy novels.  If there&#8217;s a prologue, it&#8217;s almost always<br \/>\nabout Gods and Goddesses and Heros and Monsters and there&#8217;s<br \/>\na blizzard of names and places to wade through.<br \/>\nAnd <em>then<\/em> the story starts.  Bleahh.\n<\/p>\n<\/li>\n<li>\n<p>\n<B>Never use a verb other than &#8220;said&#8221; to carry dialogue.<\/B>\n<\/p>\n<p>\nThis goes a bit too far.  Better to say, &#8220;don&#8217;t<br \/>\nbe <em>afraid<\/em> to use &#8216;said&#8217; to carry dialogue&#8221;.\n<\/p>\n<\/li>\n<li>\n<p>\n<B>Never use an adverb to modify the verb &#8220;said&#8221;.<\/B>\n<\/p>\n<p>\nWell, avoid using adverbs, period.\n<\/p>\n<\/li>\n<li>\n<p>\n<B>Keep your exclamation points under control.<\/B>\n<\/p>\n<p>\nMy high school English teacher told us that we could only use two<br \/>\nexclamation points per year.  She was kind of a dotty lady&#8230; but she was<br \/>\nright about this one.\n<\/p>\n<\/li>\n<li>\n<p>\n<B>Never use the words &#8220;suddenly&#8221; or &#8220;all hell broke loose&#8221;.<\/B>\n<\/p>\n<p>\nAnd whatever you do, don&#8217;t combine these words with a description of the<br \/>\nweather:  &#8220;Suddenly, on a dark and stormy night, all hell broke loose.&#8221;<br \/>\nThat&#8217;s like the Triple Crown of bad prose.\n<\/p>\n<\/li>\n<li>\n<p>\n<B>Use regional dialect, patois, sparingly.<\/B>\n<\/p>\n<p>\nIn the article, Leonard<br \/>\ncites Annie Proulx, but I&#8217;m not sure if he&#8217;s complimenting her<br \/>\nor criticizing her.  (Unlike B. R. Myers, who is<br \/>\n<a href=\"http:\/\/www.theatlantic.com\/issues\/2001\/07\/myers.htm\" title=\"Atlantic: an unknown takes on the lit-crits\">absolutely<br \/>\nclear; he hates Proulx<\/a>.)\n<\/p>\n<\/li>\n<li>\n<p>\n<B>Avoid detailed descriptions of characters.<\/B>\n<\/p>\n<p>\nOr, &#8220;Show, don&#8217;t tell&#8221;.  But you knew that.  I knew that.<br \/>\nWe <em>all<\/em> knew that.  A round of applause for us!<br \/>\nMoving on&#8230;\n<\/p>\n<\/li>\n<li>\n<p>\n<B>Don&#8217;t go into great detail describing places and things.<\/B>\n<\/p>\n<p>\nSee Rule #8.\n<\/p>\n<\/li>\n<li>\n<p>\n<B>Try to leave out the part that readers tend to skip.<\/B>\n<\/p>\n<p>\nAs <a href=\"\/Sam\/\" title=\"that straight-shooter\">Sam<\/a> might put it:  Fuckin&#8217; A.\n<\/p>\n<\/li>\n<\/ol>\n<p>\n<B>Winelog:<\/B>\n<\/p>\n<p>\nI think I&#8217;ve found a wine rating site that<br \/>\n<a href=\"http:\/\/www.lstoll.com\/wine.html\" title=\"informal, price mostly irrelevant\">shares my philosophy<\/a>.<br \/>\nI do have to deduct a few points, though &#8212; these folks do have<br \/>\nenough vocabulary to say <em>why<\/em> they liked or disliked a<br \/>\nparticular bottle.  No, no, no.  I&#8217;m looking for just the visceral reaction:<br \/>\nYes!  No!  Maybe!  That&#8217;s it.  Anyway&#8230;\n<\/p>\n<p>\nFetzer, California, 1999 Cabernet Sauvignon: Not bad.<BR><br \/>\nSonoma Creek, Sonoma, 1999 Merlot: Not bad.<BR><br \/>\nBlack Mountain, California, 1999 Cabernet Sauvignon (FatCat): Yum<BR><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Suddenly, on a dark and stormy night, all hell broke loose.&#8221; That&#8217;s like the Triple Crown of bad prose.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-46","post","type-post","status-publish","format-standard","hentry","category-writing"],"_links":{"self":[{"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/posts\/46","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/comments?post=46"}],"version-history":[{"count":0,"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/posts\/46\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/media?parent=46"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/categories?post=46"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/tags?post=46"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}