{"id":37,"date":"2002-01-15T11:22:31","date_gmt":"2002-01-15T16:22:31","guid":{"rendered":"https:\/\/www.goer.org\/wordpress\/sim_subs_redux"},"modified":"2002-01-15T11:22:31","modified_gmt":"2002-01-15T16:22:31","slug":"sim_subs_redux","status":"publish","type":"post","link":"https:\/\/www.goer.org\/Journal\/2002\/01\/sim_subs_redux.html","title":{"rendered":"Sim Subs, Redux"},"content":{"rendered":"<p>\nI had a number of responses to the <a href=\"\/Journal\/2002\/Jan\/#13\" title=\"journal: 'Sim Subs'\">simultaneous<br \/>\nsubmissions entry<\/a>.  A couple of them mentioned that it&#8217;s acceptable to<br \/>\nput an &#8220;expiration date&#8221; on a submitted manuscript.  That is, in your cover<br \/>\nletter you can state that after X weeks, the story is automatically withdrawn<br \/>\nfrom consideration.\n<\/p>\n<p>\nI admit that this method is a bit more efficient than having to manually<br \/>\nsend the editor a withdrawal letter.<br \/>\nIt probably has psychological benefits, too &#8212; it sets a hard limit, and<br \/>\nthus prevents you from dragging things out too long.  &#8220;Well, I know what<br \/>\nI decided back in February, but maybe just a couple more weeks&#8230;&#8221;\n<\/p>\n<p>\nAs for the root of the problem:<br \/>\n<a href=\"http:\/\/www.timprov.com\/\" title=\"Tim Cooper's home page\">Tim Cooper<\/a> sent me an excellent<br \/>\nletter, which provided me with the only cogent<br \/>\narguments I&#8217;ve seen so far for disallowing simultaneous submissions.\n<\/p>\n<p>\nFirst, he points out that editors send out acceptances and rejections for a<br \/>\nmagazine at roughly the same time:\n<\/p>\n<blockquote>\n<p>\nSuppose I have stories in my slush that I like, from Writer A, Writer B, and<br \/>\nWriter C.  I only have the ability to buy one of the stories.  So, after much<br \/>\nagonizing, I accept Writer A&#8217;s story and reject Writer B&#8217;s and Writer C&#8217;s.<br \/>\nThe next day, maybe I choose to buy a very short piece from Writer D because<br \/>\nit works well with Writer A&#8217;s story.  The day after that, Writer A writes back<br \/>\nto me and says &#8220;Oh, wait, I already sold it to Editor X.&#8221;  At this point, I can&#8217;t<br \/>\nrecover the stories form Writer B and C, which could very well be better than<br \/>\nanything I&#8217;ll get in before the issue comes up.  And I now have a short piece<br \/>\nI&#8217;ve committed to buy that doesn&#8217;t fit with anything in the issue at all&#8230;\n<\/p>\n<\/blockquote>\n<p>\nWhich is fair enough:  perhaps given a busy magazine&#8217;s schedule, it isn&#8217;t practical<br \/>\nto hold off on rejecting Writers B and C until you have confirmation from<br \/>\nWriter A.  (I don&#8217;t see how <em>book<\/em> publishers could use this excuse, though.)\n<\/p>\n<p>\nTim also mentions that the no-simultaneous-submissions rule serves as a barrier<br \/>\nthat limits inappropriate submissions.\n<\/p>\n<blockquote>\n<p>\nIf someone can send a story to every market in the field at once, quite a few of<br \/>\nthem are going to do it, regardless of how appropriate the story is for that<br \/>\nparticular market.  If sending<br \/>\n<a href=\"http:\/\/www.sfsite.com\/isfdb-bin\/exact_author.cgi?Stanley_Schmidt\" title=\"editor of Analog magazine\">Stan<br \/>\nSchmidt<\/a> a high fantasy story isn&#8217;t going to cost<br \/>\nthe writer anything, a lot of them are going to say &#8220;why not?&#8221;\n<\/p>\n<\/blockquote>\n<p>\nAnd then there are authors who send cover letters that say<br \/>\nthings like &#8220;I have finished over 250 stories&#8221; &#8212; with no sales.  As Tim puts it,<br \/>\n&#8220;I know that if simsubs were ok across the genre, the moment I opened for submissions<br \/>\nI would have gotten every one of those 250+ stories.  I&#8217;m going to get all of them<br \/>\neventually, anyway, it seems, but at least they&#8217;re coming at a speed I can handle.&#8221;\n<\/p>\n<p>\nI sympathize with this.  Barriers are necessary.  After all, isn&#8217;t that<br \/>\nwhy so many publishers still require paper submissions?\n<\/p>\n<p>\nHowever, I suppose that again<br \/>\nthis explanation makes more sense for a magazine editor than a book editor.<br \/>\nFirst, unless our author writes with demonic speed, he or she will not have an<br \/>\noutrageous number of unsold novels.  Second, while a book editor&#8217;s<br \/>\nslush pile might be large if you count <em>pages<\/em>, my guess is that it is<br \/>\nrelatively small if you count <em>manuscripts<\/em>.  This means that the burden<br \/>\nof rooting out the inappropriate submissions should be lower for book editors.<br \/>\nFinally, novels are expensive and time-consuming to print out and ship &#8212; so again,<br \/>\nfewer submissions.\n<\/p>\n<p>\nFinally, Tim makes a very valid point (jeez, why didn&#8217;t I just print his<br \/>\nwhole letter verbatim?) about the responsibilities of authors.  If authors<br \/>\ncould be trusted to track their submissions and inform editors when a<br \/>\nsimultaneous submission is accepted somewhere else, the rule would be<br \/>\nunnecessary.  I couldn&#8217;t agree more.\n<\/p>\n<p>\nThe flip side is that publishers<br \/>\nshould at least  be honest about why they do this.  The non-explanation in the<br \/>\n<a href=\"http:\/\/www.sfwa.org\/writing\/faq2.htm\" title=\"SFWA info on dealing with publishers\">SFWA FAQ<\/a> just doesn&#8217;t cut it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;If sending Stan Schmidt a high fantasy story isn&#8217;t going to cost the writer anything, a lot of them are going to say &#8216;why not?'&#8221;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-37","post","type-post","status-publish","format-standard","hentry","category-writing"],"_links":{"self":[{"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/posts\/37","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/comments?post=37"}],"version-history":[{"count":0,"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/posts\/37\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/media?parent=37"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/categories?post=37"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.goer.org\/Journal\/wp-json\/wp\/v2\/tags?post=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}